值得讨论。
我的观点倾向于作者。
山水居:
1959年，沈伊默倡议成立”上海中国书法篆刻研究会“，在陈毅同志和魏文伯同志的关心支持以及方行同志的具体指导下，1960年秋组建筹委会，1961年4月8日”上海中国书法篆刻研究会“正式宣告成立。沈尹默任主任委员，共有会员80余人。1981年改名为“中国书法家协会上海分会”，即今天的”上海市书法家协会“。
这比”陕西省书法研究室“至少早了12年吧？em4 em4 em4
确切地说应该称作:刘正成书法年代.
时代有政权更替含义.
***700;400;700,400;;#30c;15; m19,100 l34,100,34,102,32,103,31,104,31,105,23,105,23,99,24,99,24,98,25,97,25,98,26,98 e|********* m25,151 l37,151,37,152,36,152,36,149,34,149,33,150,32,150,31,151,31,152,29,152,28,151,30,151 e|********* m19,233 l20,232,23,230,25,230,26,229,27,229,30,226,31,226,35,222,36,222,36,221,37,221,37,200,38,199,39,199,39,198,40,198,40,197,41,197,41,196,43,195 44,195,44,194,45,194,45,193,46,193,46,191,47,190,49,187,49,178,50,178 e|********* m68,55 l68,59,69,61,70,62,71,64,72,65,72,94,73,94,73,95,74,96,75,96,76,98,77,98,77,99,78,99 e|********* m58,103 l60,103,60,102,61,102,70,101,71,101,71,100,73,99,74,99,75,98,75,97,77,96,78,96,78,94,79,94,80,93 e|********* m113,40 l113,54,112,55,112,57,111,59,110,60,110,64,109,64,108,65,108,67,107,67,107,68,106,69,106,70,105,70,105,71,103,73,102,75,102,76,100,82,100,83 99,84,99,87,98,87,98,91,97,91,97,94,96,95 e|********* m101,75 l114,75,118,74,124,74,132,72,130,73,127,75 e|********* m58,115 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原帖由 柳青凯 于 2007-10-9 19:16 发表 http://www.shufa.org/bbs/images/common/back.gif
看了这个帖子,正反两方面的观点都有,wgG oL
一方为远刘派,一方为亲刘派书法网(SHUFA.org) 中国书法艺术第一门户网站,以网络复兴书法为目标，求同存异，成为书法家、专业书法工作者、书法爱好者的第一网络书法互动平台。书法,中国书法,书法论坛,书画商城,书法作品,书法大赛C
?w#ki
青凯当是看刘派,意思是我是在看,在观察;Q#V a?(I?
刘先生的确为当代书法做了很多工作,功不可没,如果自己不出来说,他的功劳可能会更大.书法网 | 书艺公社 | 交流论坛?-cG/S(F s
正因为先生近两年出来说的太多,才是我对先生先前的好印象稍减| 中国书法艺术第一门户网站g7V,x*\zN`_ y#Y7N5e4[
当代书坛一直都在进步,| 中国书法艺术第一门户网站 u k0Gu%Mz
书法
一个“做了许多工作”且“功不可没”的人，却一直得到自己应有的正确评价，再不允许人家自己出来说说，这是在有些苛刻了。
现在看看，这事其实搁谁谁也受不了。这里的王先生不是也在为那薛铸说吗？
什么“刘正成时代”，明明该是“薛铸时代”啊——成立中国书协那“报告”都是俺薛铸起草的，没俺薛铸你们现在入哪门子书协em4 em4 em4 em4 em4
其实，仔细想想，这几年除了这回这次公开的演讲之外，对于20几年来书法的事刘何时还说过呢？
在如我等百姓都可以上网说话的今天，比刘正成说的多的人那叫一个海了去了。
原帖由 柳青凯 于 2007-10-9 20:23 发表 http://www.shufa.org/bbs/images/common/back.gif
很早就看过了，过去主张创新，只要有新意就能出名，
现在不一样，现在主张在传统上创新
现在写字的出名为什么难了，因为现在的书法发展了，要求严格了，曾兄以为何？em13
看来柳先生并没真的去看。
中青展主张的是植根传统，张扬个性，这与“在传统上创新”应该是一回事的。
现在写字为什么出名难？很简单，因为现在的书法环境变了，具体说，一是作为“出名”载体的书法展览现在太泛滥了。展览频繁泛滥，获奖人数也就跟着上涨。一年这么多的展览，这么多的人在获奖，大家记起这些人来自然就难了，大家记不住你，你还出什么名啊。以前二年才一中青展，四年论一国展，每次展览评10几个获奖的，谈展览时，想不提这10几个人都不行。被喜爱书法关心展览的人天天叨念着，他想不出名都难。
二是如今媒体太发达了。当年书法报纸刊物就那么几家，而且还不是周报就是双月刊。谁想站个版面宣传一下那得排队等着。现在呢，报刊多了，出版周期短了。不管谁，只要找人写个吹捧文章都可以找到发表的地方。实在不行，还可以自己换个马甲贴网上来。看着是大家都露了脸都有了名，但什么一多了也就没价值和影响了。
王根权先生口口声声说“依据”一词，请问如下：
一、“刘正成先生的依据是周明华先生的一句话。这句话可靠吗？不可靠。周明华先生说这话，是什么地方说的，什么场合说的，真正的意思是什么，都有待考证。在这个问题上他是局外人，他对历史事实不了解，情有可原。”一言中说周明华先生是“局外人”和“不了解”，请问你的“局外人”一说依据是什么?什么东东周明华先生“不了解”?是不是说周明华先生现在还未加入中国书协，所以不够资格?你也太轻率了吧。
二、“谁是中国书坛真正的创坛者呢？薛铸先生关于中国书协的成立有一篇回忆文章，其中有关中国书协成立相关的人物和事件说的清清楚楚。这里我们将中国书协的起根发苗作以简述。”一篇回忆文章就断定“中国书坛真正的创坛者”是因“中国书协的起根发苗”。否！我只记得一句，创造历史的是人民群众，而不是某个人和单位。
三、我赞同“刘正成时代”一说，其实也只是一个符号，记忆而已。你说的“以自己的名字命名这个书法时代严肃吗？”会让人联想政治运动，不好！自古就有宋四家、竹林七贤、书法二王、龙门十二品、书圣、诗仙等等，其实这些都是虚名，都是一个符号，记忆而已！它和人的津贴、级别、职称、劳模、冠军没有什何关系。你想记就记，不想记也没有人为难你。就我就号称：“老牌正宗水墨书评玩家”，也是一个记忆符号，你把它看低了就没什么，看高了，当成中国第一、世界第一的“老牌正宗水墨书评玩家黔墨”！内心肯定不平衡。
四、你说“希望刘先生能冷静下来，不要将功利看得太重，以平常心待人，以平常心处事。这样以来，还是可以为中国的书法事业做些工作的”。刘正成先生的发言稿，其实也是“中国的书法事业做些(宣传和普及)工作的”，虽然带有个人特色，也还是很有人情味的，网上欢迎者盛。刘先生退下来以后，多年来一直是以“以平常心待人，以平常心处事”的，请你多看看他参与的活动和做的事就能说明。值书法网成立五周年，他受邀出来为书法爱好者免费做些回忆和书法的讲演，就是不冷静，就是将功利看得重了?王先生也未免牵强了些吧。难道说一个书法家成天呆在家里不说话，一年四季放不出一个屁来，才就是“能冷静下来，不将功利看得太重”的表现吗?什么叫做“为人民服务”?其实就是一个动词“为”字，要有“为”才有“为”。