pcs 发表于 2007-10-4 10:50

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3970364 发表于 2007-10-4 16:01

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冯印强 发表于 2007-10-5 17:54


综合来看,应该废除评委长期聘任制及个别评委终身制,建立评选之前对评委会人员名单保密回避制度。除保留极少数德高望重的评委之外,人员更换率要加大,评委总人数要增加,吸收独立评论人参与,以求专业性、广泛性、代表性、权威性。


我倒觉得评委名单在征稿启事发出的同时一并公开比较适合。这样,欲参展投稿的书家可以了解评委阵容。对自己是否参与、如何参与提供线索。你想,你连评委是谁都不知道,就把自己辛苦创作的成果交给他们评判,不是有些盲目吗?
记得今年春天,我和于明诠先生谈及这个问题时,他也持同样的态度。
顺便问候元明兄:国庆快乐!


[ 本帖最后由 冯印强 于 2007-10-5 17:56 编辑 ]

宫恩武o 发表于 2007-10-5 18:08

回复 #13 冯印强 的帖子

的确是,好多时候评委的喜好直接影响了最终的结果,造成好多明珠暗投的事件发生

丁剑 发表于 2007-10-6 10:28

原帖由 虫甬 于 2007-10-4 07:41 发表 http://www.shufa.org/bbs/images/common/back.gif
我以为,展览真正的惆怅在于毒化了书法的文化地壤。
有道理,大部分人对展览有了依赖心理,把展览作为目标或目的,这就是展览的副作用,副作用就是毒性。

江西心得 发表于 2007-10-6 12:13

看完全文及回帖,不同意13楼冯印强先生观点,国展评委就该最后几天才定,否则可有人乐坏了,不慌不忙能收多少钱啊.在评选后你不同意入选与己同书体的作品质量,或你对某书体评委们不满,都可借助网络来挑战他们吗,如果你有实力的话,网络的互动会改变历史的.这次的国展也许就会与以往不同.

名人斋 发表于 2007-10-7 14:10

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吴亚非 发表于 2007-10-7 17:03

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陈学高 发表于 2007-10-7 19:14

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潘辉 发表于 2007-10-7 23:20

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