展览的惆怅

pcs

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3970364

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冯印强

$ E) H+ [; R' W! C2 B3 _, l, _7 z综合来看，应该废除评委长期聘任制及个别评委终身制，建立评选之前对评委会人员名单保密回避制度。除保留极少数德高望重的评委之外，人员更换率要加大，评委总人数要增加，吸收独立评论人参与，以求专业性、广泛性、代表性、权威性。

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; z# i3 R8 }; Y我倒觉得评委名单在征稿启事发出的同时一并公开比较适合。这样，欲参展投稿的书家可以了解评委阵容。对自己是否参与、如何参与提供线索。你想，你连评委是谁都不知道，就把自己辛苦创作的成果交给他们评判，不是有些盲目吗？
8 ?, U2 O: y: v3 J) t/ z' a0 r- v5 e! f记得今年春天，我和于明诠先生谈及这个问题时，他也持同样的态度。
顺便问候元明兄：国庆快乐！

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4 Z' ^5 M$ t5 g6 P6 Q[ 本帖最后由 冯印强 于 2007-10-5 17:56 编辑 ]

宫恩武o

的确是，好多时候评委的喜好直接影响了最终的结果，造成好多明珠暗投的事件发生

丁剑

原帖由 虫甬 于 2007-10-4 07:41 发表

                               
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我以为，展览真正的惆怅在于毒化了书法的文化地壤。

+ C8 d# K1 ^+ F3 j- Y有道理，大部分人对展览有了依赖心理，把展览作为目标或目的，这就是展览的副作用，副作用就是毒性。

江西心得

看完全文及回帖,不同意13楼冯印强先生观点,国展评委就该最后几天才定,否则可有人乐坏了,不慌不忙能收多少钱啊.在评选后你不同意入选与己同书体的作品质量,或你对某书体评委们不满,都可借助网络来挑战他们吗,如果你有实力的话,网络的互动会改变历史的.这次的国展也许就会与以往不同.

名人斋

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吴亚非

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陈学高

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潘辉

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