笔迹学基本原理（转帖）

金沙石

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听人讲起笔迹学（graphology, the study of handwriting), 把她抄来的“基本原理”抄来这里，方便参考。此学问虽然是西方人所发明，但似乎对于书法也有所启发。有兴趣的人自然可以搜索资料看看。

1.When we write, the ego is active but it is not always active to the same degree. Its activity waxes and wanes based on emotion./当书写时，人的自我意识不会保持一致，会随着（情绪）奋力而改变。
2.The structure of every word by writer reflects their attitude towards the outside world./笔画的结构方式代表了书写人面对外部世界的态度。
+ p- i" N" v1 W5 g, ?3.The size of work indicates the self-awareness./字体的大小是自我意识的反映。
$ C' n. }8 T+ u& G0 m; D: D2 s4.Join-up writing reflects the consistency between thought and action/连笔程度反映着思维与行为的协调性。
1 K* Z1 H4 W; `5.Direction of movement of writing indicates independence and social relationship./字的方向是人自主性及与**关系的反映。
0 q) G- h( H! m! s6 Y6.Speed of writing relates to speed of comprehension./书写速度与人理解力的快慢有关。
8 U( X" l7 I% }1 d/ @- i1 ^7.Layout for whole article implies writer’s view to outside and his way/整篇文字的布局反映着书写人面对外部世界的态度。

沛翁

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笔画的结构方式及整篇文字的布局代表了书写人面对外部世界的态度。
0 T! I2 U: Y' Q字体的大小是自我意识的反映。
连笔程度反映着思维与行为的协调性。

天南茗茶

学习了

穆萨纳

字为心画