米芾《清和帖》芾、傾、如字临习调整建议
米芾《清和帖》芾、傾、如字临习调整建议——————
米芾《清和帖》中， “芾、傾、如”等字的笔画和结构方面有不当之处，不合审美法度，没有体现行书艺术规律。兹按行书因势生形、点入顺入带收、肥瘦对比简约、横的短化、竖的曲化、撇的直化、捺的点化、折的圆转化、钩的引带化等笔画要领和仰俯、转侧、向背、大小、主次、疏密、透气、穿插、避让、高低、宽窄、变换等结构规律，提出临习调整建议。
1、“芾”：这种不是行末字的竖的收笔，最好向下出锋引势。既自然伸展，又使书写轻松率意。
2、“傾”：“頁”的左右竖笔弧度平行，向背势违。右边竖笔应呈向外弧度，与左竖向势对应。
3、“如”：收笔向左上引锋，违背笔势字势！应向左下引带，既向下一字起笔送势，又使整体结构参差、舒展。
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关于行书的笔画技法和结字规律，请参见宋民《米芾行书要领精讲》《二王行书要领精讲》《王铎行书要领精讲》。江西美术出版社，2019。
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