米芾《清和帖》衰、得、将字临习调整建议
米芾《清和帖》衰、得、将字临习调整建议——————
米芾《清和帖》中， “衰、得、将”等字的笔画和结构方面有不当之处，不合审美法度，没有体现行书艺术规律。兹按典型性行书的因势生形、点入顺入带收、肥瘦对比简约、横的短化、竖的曲化、撇的直化、捺的点化、折的圆转化、钩的引带化等笔画技法和仰俯、转侧、向背、大小、主次、疏密、透气、穿插、避让、高低、宽窄、变换等结构规律，提出临习调整建议。
1、“衰”：竖提的竖笔伸长，撇适当缩短。这样，使竖提这一主笔突出，增加参差错落效果，字势挺拔。
2、“得”：末笔之点应穿过钩笔，向左下引带。避免笔势凝滞、结构堵塞。
3、“将”：横撇不应与左撇的末端粘黏。末点不要往左上回笔，也须左下牵丝引带送势。
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关于行书的笔画技法和结字规律，请参见宋民《米芾行书要领精讲》《二王行书要领精讲》《王铎行书要领精讲》。江西美术出版社，2019。
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