爨体:应该是中国书法之第六体!
30年回头看,原来中国书法"破体书“的代表作就是《爨宝子碑》,原来书法复合体的代表作也是《爨宝子碑》,原来《爨宝子碑》是集真,草,隶,篆,行五体之和的第六体。
你看爨宝子碑结体有的是楷书,有的是隶书,有的还是篆书。
你看它的点是楷书之三角点,而撇和捺又是于隶书的用笔。
它横的起笔是楷书之方笔,中段又是篆书的中锋运笔,收笔却是隶书的燕尾。
它忽楷忽隶忽篆,又有行的影子也有草的意趣。
你用的笔,纸不一样,写出来的效果就不一样。
你可以用羊毫写,也可用兼毫或狼毫写;可用生宣写,也可用半生半熟或熟宣写。
你可将它写大,写小,写长,写方,写圆,写厚,写薄。也可以写硬,写软。
可以写雅,也可以写野。可以写恣肆,也可以写含蓄。可以把它写天真,写成两三岁的孩子在学步,也可以把它写老辣,写成历经苍桑的老者。
你可以把它写成戴着面具跳傩戏,地戏,锣戏的壮汉,也可以把它写成美目传情,回眸一笑的多情女…
你可以将汉字所形成的真,草,隶,篆,行全"爨"进去,融进去,但它依然山还是那座山,水还是那道水,还是那独有的爨体,你说神奇不神奇?
它横空出世,然后又消声匿迹,它没有"父",也没有"子“,它前无古人,后无来者,它是几千年中国书法史上,唯一,独一的一碑一体,你说它是不是包罗万象的书法"第六体"?
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