禅道书画
以“道”的理念来统领书法艺术的本质如王羲之的《记白云先生书诀》中，记述了天台紫真所说的书法理论：“书之气必达乎道，同混元之理。七宝齐贵，万古能名。阳气明则华壁立，阴气太则风神生。把笔抵锋，肇乎本性。力圆则润，势疾则涩;紧则劲，险则峻;内贵盈，外贵虚;起不孤，伏不寡;回仰非近，背接非远;望之惟逸，发之惟静。敬兹法也，书妙尽矣。”根据历史记载，王羲之处会稽之时和道教人士过从甚密，修道有为的道士用《道德经》的思想来观照书法美学理论也是很自然的。其中关于阴阳的论述，贵盈、贵虚、惟逸、惟静，以及笔力中各种力量的平衡，均凸显出道家的核心思想。
同时，用一个“妙”字来概括书法的至高境界，也契合了《道德经》中“玄之又玄，众妙之门”的理路。而所谓“书之气必达乎道，同混元之理”，即是用“道”的思想来统领书法艺术的本质研究以及书法艺术的实践创作。
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